Mračna soba. Čovjek sa maskom na licu i pištoljem u ruci. Nečiji sin, brat, otac, susjed, prijatelj, muž, sugrađanin, suradnik, zaposlenik. Jedan reflektor uperen na drugog čovjeka u prostoriji.
Kleči pred onim sa maskom. Pištolj mu je prislonjen na čelo. Izraz straha mu je okamenio lice. Pucanj. Metak uz prasak i paljenje kože probija kožu i lubanju. Mrska kost i prolazi u mekani zagrljaj mozga. Taj maleni željezni oblutak, ništavan, bora put kroz mekoću. Kroz spletovlje aksona i dendrita, kroz njihove mreže i zavoje, križanja i stranputice. Njihove grane i ogranke pali sila metka, pucaju poput tankih niti i ostaju visiti bespomoćno. Mreže njihovih putova, milijunima puta povezani i prespojeni kroz desetljeća života, sada nestaju u sekundi vrućine i sile. Neuroni i glije prskaju poput balona od sapunice, njihove unutrašnjost raznesena zajedno sa svilenim nitima uma. Kroz taj palež, taj kratak put dug par centimetara, nestaje jedna duša. Njegova sjećanja i misli, snovi i nadanja, žalosti i sreća, strasti i strahovi, tajne i laži, istine i časti, morali i filozofije, zaključci i razmišljanja. Milijuni veza nasilno prekinutih da bi nestala jedna osoba.
Ova slika, ta sekunda smrti je snimana. Dok se rupa uništena mozga puni krvlju, čovjek pada na tlo u zadnjem grču života dok ga napušta sve što on jest. Slika brzinom kompjuterske misli dolazi u tehnološki omogućenu abominaciju kolektivnog nesvjesnog i kola među svima nama. Youtube ju donosi u kratkih par sekundi divlje smrti. Photobucket niz slika, koje pokazuju svaki pokret i svaki od kratkih momenata nestajanja jednog čovjeka. Twitter i Facebook šalju dalje, u moru linkova i veza. Snopovlje veza i ogranak Interneta i naših medija upinju i kolaju ovim prizorom dok svi nismo iskusili isto - smrt.
I tako iz dana u dan. Opet. I opet. I opet.
Poginula tijela smrskanih putnika u nesreći vlaka. Dvije djevojčice koje su zajedno skočile sa zvonika u smrt, njihova tijela na pločniku. Mrtva žena pod željezom uništenog automobila. Tijela. To bijelo, naduto meso koje više nije čovjek nas zove da ga progutamo očima, da uzdahnemo nad njim. Na svakoj strani, u svakom pogledu. Na naslovnicama novina. Portala. Vijesti. Spiker govori o mrtvima sa korporativnim smiješkom i uglađenom kravatom pod grkljanom. Mi ga trebamo. Kolektiv ljudi živi i diše nad svakom dušom koja izdahne i uđe u aksone i dendrite medija, da se širi dalje poput virusa koja nas zove k sebi. Da ga gledamo, prikriveno.
Vikarijski.
A dark room. A man with a mask on his face, holding a gun. Someone's son, brother, father, neighbor, friend, husband, fellow-citizen, coworker, employee. Only one reflector lamp directed at the other man in the room.
He kneels before the one with the gun. The gun is on his forehead. The expression of fear turned his face to stone. A shot fired. With a bang and skin scorching the bullet pierces skin and skull. It shreds the bone and enters the soft embrace of the brain. This little iron pebble, nothingness, digs its way through the softness. Through the plexus of axons and dendrites, through their nets and curves, crossings and sidelines. Their branches and offshots are scorched by the bullet's force, they break like thin threads and remain hanging helplessly. The networks of their ways, a million times connected and interconnected through decades of life, now vanish in a second of heath and force. Neurons and glias burst like soap bubbles, their insides blown up with the silken threads of the mind. Through that wreckage, that short way of only a few centimeters, a soul disappears. His memories and thoughts, dreams and hopes, sadness and happiness, passions and fears, secrets and lies, truths and honors, morals and philosophies, conclusions and contemplations. Million of connections violently broken to erase a person.
This image, that second of death was taped. While the destroyed brain’s hole is filled by blood, the man falls to the ground in the last spasm of life as everything that he is is leaving. The image travels with speed of computer thought to the technologically sustained abomination of the collective unconscious and spreads in between us. Youtube brings it in a short flick of death. Photobucket as a series of pictures, which show every move and every short moment of a human being's disappearance. Twitter and Facebook send it farther away, in the sea of links and connections. The plexus of connections that is the Internet and our media strive and disseminate this image until all of us experienced it - death.
That happens today and tomorrow. And again. And again. And again.
The crushed dead bodies of the passengers in a train wreck. Two little girls who jumped from a bell tower into their death, their bodies on the sidewalk. A dead woman under the destroyed metal of an automobile. Bodies. That white, bloated flesh that is not human anymore is calling us to swallow it with our eyes, for us to sigh for them. Everywhere, in every view. In newspaper headlines. Portals. News. The speaker speaks of the dead with a corporate smile and a smart tie under his chin. We need it. The people's collective which lives and breaths over every soul that breaths out and enters the axons and dendrites of our media, to spread around like viruses which call to us. To watch it, hiddenly.
Vicariously.






